'Solomon's Builders' Now Available As Audio Book

by Christopher Hodapp

To my surprise, my 2006 book, Solomon's Builders: Freemasons, Founding Fathers, and the Secrets of Washington D.C., has just been released as an unabridged audio book and is now available from Amazon/Audible for $18.18. Unfortunately for fans of audio books, there are many photos and illustrations in the print edition, so your enjoyment of Solomon's Builders may be less than ideal, unless you use it as a companion to the dead tree version. That's not me trying the old Chico Marx sales tactic, "One's no good - you gotta have the whole set." I'm just saying it's tough to contemplate the street plans of Washington DC or Sandusky, Ohio without actually seeing them.

Be aware that Solomon's Builders was written before novelist Dan Brown's hotly awaited Da Vinci Code sequel, The Lost Symbol, was released. Still, I actually enjoyed writing it more than any other book I've done. At the time, Dan Brown mania was in full force, and second-guessing his anticipated 'Masons in Washington DC' storyline was a cottage industry. 

Shortly after Freemasons For Dummies was released in 2005, I received an obscene phone call from an editor at Ulysses Press who made me an offer few new authors can refuse: they wanted to pay me to write anything I wanted, as long as they could promote it as an unauthorized tie-in to Brown's sequel. I spent 10 days in Washington interviewing, researching, taking photos, and even getting threatened with arrest by the CIA in Reston. (Yes, really.) And, unlike the Dummies books with Wiley, Ulysses gave me little in the way of a deadline.

Brown's Masonic-themed The Lost Symbol finally came out in 2009, almost 9 years after his blockbuster DaVinci Code was released, and much of the speculation about his plot points that I made in my book turned out to be wrong. Brown – or his publisher – had leaked early on that his upcoming book was to be called The Solomon Key, hence my own title, which I ultimately liked, whether it tied in or not. But I wrote it in such a way that it was more of an overview of the Masonic backgrounds of the Founding Fathers and a Masonic guidebook to the city than the sort of "I'll bet he writes this" ripoff that so clogged up bookstore shelves at the time (usually with the word 'Code' in the title). Consequently, most of the book's content has withstood the lapse of time, and remains useful and informative. 

BTW, as was done with Freemasons For Dummies several years ago, the publisher never asked me to narrate the recording - it's read by someone named Charles Constant, who does a fine job. I just wish an invitation had been extended to me, since I am an experienced voice-over artist who's recorded many commercials over the decades. I've encountered many Masons who have been disappointed when the recording wasn't me, but that's show-biz. 

Just to clarify something else: Ulysses Press' owner called me the day the news services breathlessly reported that Brown had finally turned in his sequel's manuscript in 2009 and that they finally had a publication date. The owner wanted ANOTHER tie-in book written within six weeks after I actually read The Lost Symbol to update my previous guesses and explain the actual Masonic references Brown DID include in his new novel. That new book was released in January 2010 as Deciphering the Lost Symbol, and is still floating around out there. 

MAGI: Robert Cooper and Mark Tabbert Launch Masonic Book Review Podcast

by Christopher Hodapp

Masonic authors and historians Mark Tabbert and Scotland's Robert Cooper have recently embarked on a new joint podcast, a unique book review program called MAGI Reviews: The Masonic Authors' Guild International.  Mark and Robert started their podcast a couple of months ago, and they've done 16 episodes so far. 

Mark Tabbert

Both of these knowledgeable Brothers have held unique positions over the last couple of decades, and as Masonic authors and researchers, neither of them could be considered to be a slouch. Mark Tabbert is a past president of the Masonic Library & Museum Association, a former curator for the Scottish Rite NMJ's museum in Lexington, Massachusetts, and most recently, curator at the George Washington Masonic National Memorial's museum in Alexandria, Virginia. He's the author of American Freemasonry: Three Centuries of Building Communities and most recently, A Deserving Brother: George Washington and Freemasonry

Robert L.D. Cooper

Robert L.D. Cooper served for almost 30 years as the curator for the Grand Lodge of Scotland's Library & Museum in Edinburgh. He the author of The Red Triangle, an indispensable work about the history of anti-Masonic movements and persecutions; the outstanding Rosslyn Hoax, that examines the many legends and theories about the Knights Templar, Freemasonry, and the enigmatic Rosslyn Chapel in Scotland. Both of these brethren are members of the Society of Blue Friars, an honorary organization of  Masonic authors.

Because they are academic historians and not just a couple of aged, obsessive Masons with a warm glow in their hearts for dusty old Masonic books (not that there's anything wrong with that), they approach their reviews by discussing the pedagogical, academic value of the works themselves. Are they well-researched and well documented? Are they truthful? Are they backed up by useful, in-depth footnotes and references? Are their premises serious, looney, or just plain wishful thinking? Are they really thought-provoking, or are they so far off the rails that you'd be better off using them to prop up a rocky table leg? And what makes a more useful and more trustworthy Masonic book, from an academic point of view, anyway?

Consequently, there's been a good mix on the podcast so far – Masonic classics like Joseph Fort Newton's The Builders and David Stephenson's excellent Origins of Freemasonry: Scotland's Century; academic works like Mark C. Carnes’ Secret Ritual and Manhood in Victorian America and Steven C. Bullock's indispensable Revolutionary Brotherhood: Freemasonry and the Transformation of the American Social Order, 1730-1840. Over in the deep end of the pool are the more... let's call them speculative books, like Stephen Knight's paranoid fairy tale book The Brotherhood: Secret World of the Freemasons (the completely unsubstantiated book of nonsense that launched England into a three-decade anti-Masonic fervor) and David Ovason's inexplicably popular astrological Secret Architecture of our Nation’s Capital: The Masons and the Building of Washington, DC. 

So imagine my surprise when Mark and Robert featured my second book:  Season 1, Episode 16 reviewed Solomon's Builders: Freemasons, Founding Fathers and the Secrets of Washington, D.C., which was written some 14 years ago. After all this time, and despite the panicked circumstances under which it was written, I was pleasantly surprised that they felt it still was of value today.

Let me explain.

Back in the early 2000s when the world was young and dinosaurs ruled the Earth, the entire publishing industry was attempting to cash in on novelist Dan Brown's as yet-unreleased sequel to The DaVinci Code, rumored at that time to be entitled The Solomon Key (eventually The Lost Symbol). By 2003, Da Vinci Code was already the 6th most popular book in the history of the English language, and readers all over the world were breathlessly awaiting the next entry in his series of stories featuring Harvard University 'symbologist' (whatever that is), Robert Langdon. While speaking off the record at a small gathering of local citizens in his New Hampshire hometown, he let it slip that the title of his next book would likely be The Solomon Key and be about Freemasons in Washington D.C. That bit of seemingly innocuous news turned into an international headline, and the feeding frenzy began. 

Stacks of books about the Masons were hurled out by the mainstream press; History Channel shows began talking about the Masons; everyone from National Geographic to the stuffy US News & World Report published expensive, glossy, full-color specialty magazines about Freemasonry, the Knights Templar, old cathedrals, the Illuminati, Bohemian Grove, and anything else they could possibly heave into the mix that sounded ancient, mysterious, spooky, and secret society-ish. Then, Disney rushed the Masonic-themed movie National Treasure into production, and it was released in November 2004. National Treasure would never have been made if not for Dan Brown's tardiness in delivering his sequel manuscript; and my own Freemasons For Dummies would never have been published if National Treasure hadn't been the #1 box office hit of 2004. In fact, Bob Cooper's own book, Cracking the Freemasons Code, was released during this same period for much the same reason – to get a jump on what Masons everywhere feared might be bad fictional treatment by Brown's book.

So. In 2005 I was contacted by Ulysses Press, a small, independent publisher located in Berkeley, California, and asked to write a book that would attempt to second-guess Brown's still as-yet unknown story points, debunk any sort of Masonic claims that he might include in his sequel, and explain his as-yet unseen storyline—whatever that might be—from the standpoint of the Masonic fraternity. And I was given a whopping four months to deliver the manuscript (a month longer than Wiley gave me to write Freemasons For Dummies). 

It hit on the Masonic membership and activities of several of America's founding fathers, talked about possible Masonic influences on the Constitution, and explored the run-up to the Enlightenment period in England and how the Freemasons sprung from it. It detailed the Masonic cornerstone ceremonies for the White House, the U.S. Capitol building, the Washington Monument and more. Chapters debunked some of the most common fantasies about the Masons – Albert Pike, All-Seeing Eyes, the 'Masonic' symbols on the dollar bill and why they aren't actually 'Masonic', and, of course, the nonsense about the supposed 'Masonic' patterns in the streets of America's federal city. The back half of the book was a Masonic travel guide to Washington D.C., listing the many Masonic halls around the city, current and former grand lodge locations, Alexandria's George Washington Masonic National Memorial, the Scottish Rite SJ's House of the Temple, the city's original 'cornerstone', plus other noteworthy landmarks, buildings and monuments with both real and imaginary Masonic connections. 

Solomon's Builders still holds up pretty well 18 years after it was published, if I do say so myself.  When I wrote it, I tried to keep the specific Brown-related mentions to a minimum so it wouldn't become obsolete. I'm gratified that it still remains in print today, because so many other really excellent books that were released about the same time by respected Masonic authors have gone out of print and vanished into the anonymity of Half-Price Books metaphysical section. 

Masonic/Dan Brown mania had a big die-back after his The Lost Symbol  was finally published in 2009 – fortunately for us, the Masons actually turned out to be the good guys in the book, and not the evil, bald-headed, cat-stroking supervillains most of us feared. And the fraternity did have a momentary uptick in men joining lodges who were inspired either by Brown's novel or by one of the myriad Masonic books that came out at the time. But that faded after a couple of years.

Yet, Solomon's Builders remains a decent, handy Masonic guide to D.C. today. Albert Pike's statue in Judiciary Square did get yanked down in the fevered summer of George Floyd riot-related statue toppling. And the city of Alexandria and the parks department put some decent money into sprucing up the area around the first boundary marker for the District of Columbia that was installed and dedicated by Freemasons. And a few other changes have happened throughout the city. But most of the information is still valid today. So, many thanks to Mark and Bob for hitting it with a spotlight again. I'm honored just by the mere mention.

NBC/Peacock Announces Cancellation of Dan Brown's 'The Lost Symbol'

by Christopher Hodapp

NBC's Peacock streaming network has announced that there will only be the single season of Dan Brown's The Lost Symbol that has already aired. The 10-episode series aired between September and November 2021, and there are no plans for future episodes.

Based on Brown's 2009 blockbuster Masonic-themed novel, The Lost Symbol starred Ashley Zukerman as symbologist Robert Langdon, along with Valorie Curry (“Blair Witch”), Sumalee Montano (“10 Cloverfield Lane”), Rick Gonzalez (“Arrow”), Beau Knapp (“Seven Seconds”), and actor and comedian Eddie Izzard as Peter Solomon.

According to the announcement in Variety on Monday, "Peacock and producers believed that the series adaptation of the book told the complete story of the source material." The completed series will continue to be offered to subscribers on the Peacock streaming platform.

The creative team for the series made an early decision to modify much of the Masonic content of Brown's original novel and invent a super-secret level of Freemasons within the fraternity (called 'Leviathan') in order to free the show from having to stick to known facts, symbolism and practices of Masonry. And I was told a major consideration of the producers was their legal departments' advice to not show the square and compass in order to avoid any possibility of being sued for copyright or trademark infringement by the fraternity. (I'm only reporting it.) 

Apparently the Peacock advertising department never got that memo...

The so-called "Leviathan cross" depicted in the show is actually the alchemical symbol for sulphur (also for volcanic brimstone), and series creators invented the fictional group as a special collection of powerful, select, brainy, unseen Masonic masters who protect the really secret secrets to life, the universe and everything.

The Scottish Rite Southern Jurisdiction created an eleven-part YouTube series that acts as a Masonic viewers' guide to the Lost Symbol program. Hosted by Brother Maynard Edwards, ° KCCH, the multi-part program, Symbols & Secrets, explores and explains the symbols, terminology and accuracy of The Lost Symbol. As the program explains, this is NOT a Masonic symbol. 

Dan Brown's 'The Lost Symbol' Streaming TV Series Premieres Sept. 16

by Christopher Hodapp

The second official trailer for the upcoming TV series, Dan Brown's The Lost Symbol has been released. Episode 1 premieres on Thursday, September 16th on NBC/Universal's Peacock streaming platform, and requires a subscription. New episodes will appear every Thursday.

The series is based on Brown's Masonic-themed 2009 thriller The Lost Symbol and stars Ashley Zukerman as Harvard symbologist Robert Langdon.

By the way, you may be balking at the notion of paying for a $4.99/month subscription to the Peacock streaming channel just to see this one lone series. I know cable TV cord cutting has been the rage for many years now. But, IF you still are among the shrinking audience who still pays for a cable TV package, AND if your cable provider is Comcast/Xfinity, they are currently offering a free year's subscription to the Peacock service.

CLICK HERE for more information about how to activate the offer.

Dan Brown's 'The Lost Symbol' First Trailer Lands

by Christopher Hodapp

Earlier this week, NBC/Universal released the first preview for Dan Brown's The Lost Symbol (formerly known as Langdon; formerly known as Dan Brown's Langdon) airing on their Peacock streaming service later this year. Based on the 2009 novel and Da Vinci Code sequel by Brown, the Masonic-themed story was one of the most hotly anticipated books in the publishing business. More than 1 million copies of The Lost Symbol were sold world-wide on the very first day when it was eventually released in 2009. But the long delay between his blockbuster books convinced the rest of the publishing and entertainment world to try to cash in on Brown-mania during the lull. The 2004 hit movie, National Treasure, never would have seen the light of day had Brown not let the cat out of the bag that his next Big Book would be about Freemasons in Washington, D.C., but took six years to actually publish it. For that matter, most of my earliest books would never have been published, either. Certainly not by mainstream publishers.

The Lost Symbol was the third novel to feature Brown's 'symbologist' character, Robert Langdon, who was portrayed by Tom Hanks in three big-budget, theatrical movies. This pilot film was initially planned to air on the NBC broadcast network, but now the subsequent series will be a flagship show for the fledgling Peacock pay streaming service, instead.

The original story line of the novel has been shifted to occur before The DaVinci Code and Angels & Demons. Ashley Zuckerman (from Designated Survivor) portrays symbologist Robert Langdon shortly after his graduation from Harvard (and much younger than Tom Hanks' version in three previous theatrical films of Brown's novels). Langdon must solve a twisted mystery to save his university mentor, Peter Solomon (played by comedian and actor, Eddie Izzard) and prevent a mysterious nemesis from unleashing terrible destruction on Washington, D.C.

Brown's plot in The Lost Symbol revolved around many Masonic clues and landmarks in Washington, including the Scottish Rite SJ's House of the Temple headquarters. Masons everywhere enjoyed the novel and the public spotlight it brought to the fraternity, but were disappointed when Hollywood passed over it as a big-money picture to make Inferno instead. Because of certain plot points, the story as written wasn't exactly visually promising, since easily 20% of the story takes place in total darkness.

Unfortunately, there are no Masonic references or symbols onscreen in the trailer (although one sequence shows Langdon discovering a 'Chamber of Reflection' hidden deep in the basement under the U.S. Capitol building). However, I have it on good authority that Freemasonry is well represented in the film – or at least it was shot that way. We'll see how much survives the editorial process. A long production shutdown due to the pandemic last year put the crew and the whole project on ice for months. The show was largely shot in Canada, and yes, the crew actually reproduced the Capitol dome's rotunda and Statuary Hall on a soundstage. I haven't heard whether they also reproduced the Scottish Rite's House of the Temple, or of it even made it into the script. 

NBC's Streamer Peacock Orders 'Dan Brown's Langdon' As Regular Series

by Christopher Hodapp

PeacockTV, NBC's new subscription streaming TV service, has announced that they have ordered the TV pilot based on Dan Brown's Masonic-themed thriller, The Lost Symbol, to be picked up as a continuing series, to be entitled Dan Brown's Langdon.

The pilot was initially planned to air on the NBC broadcast network, but now the series will be a flagship show for the Peacock pay streaming service.

The story line of the novel has been shifted to occur before The DaVinci Code and Angels & Demons. Ashley Zuckerman portrays symbologist Robert Langdon shortly after his graduation from Harvard (and much younger than Tom Hanks' version in three previous theatrical films of Brown's novels). Langdon must solve a twisted mystery to save his university mentor, Peter Solomon (played by comedian and actor, Eddie Izzard) and prevent a mysterious nemesis from unleashing terrible destruction on Washington, D.C.

Brown's hotly anticipated novel The Lost Symbol was released in 2009, and centered around many Masonic clues and landmarks in Washington, including the Scottish Rite SJ's House of the Temple headquarters. Masons everywhere enjoyed the novel and the public spotlight it brought to the fraternity, but were disappointed when Hollywood passed over it as a big-money picture to make Inferno instead.

Peacock issued the following press release on Friday:

Peacock has ordered the gripping drama thriller “Dan Brown’s Langdon” to series, based on the world-renowned author’s international bestselling novel “The Lost Symbol.”

“Dan Brown’s Langdon” is produced by CBS Studios, Imagine Television Studios and Universal Television, a division of Universal Studio Group.

Dan Dworkin and Jay Beattie will serve as writers and executive producers for the series.

Dan Brown, Brian Grazer, Ron Howard, Samie Kim Falvey and Anna Culp also serve as executive producers.

The drama project was originally developed by NBC and was ordered to pilot last year by the network.

“The team was blown away by this pilot and its enormous potential to become a big, binge-worthy hit, and our new structure enables us to move it to Peacock and give it every opportunity to make that happen,” said Susan Rovner, Chairman, NBCUniversal Television and Streaming. “Our ability to pick up a great show is no longer limited by the confines of a network schedule, giving us the freedom to say ‘yes’ to shows we love and then find them the perfect home across our portfolio.”

“I’m absolutely thrilled to be working with Ron and Brian again on another Langdon project,” said Dan Brown. “We’ve all wanted to make ‘The Lost Symbol’ for some time now, and I’m grateful to CBS Studios, Imagine Television Studios, Universal Television and Peacock for joining forces to make this project a reality. Dan Dworkin and Jay Beattie have written a phenomenally captivating script, and the casting and performances are pitch perfect.”

Based on Dan Brown’s international bestselling thriller “The Lost Symbol,” the series follows the early adventures of famed Harvard symbologist Robert Langdon, who must solve a series of deadly puzzles to save his kidnapped mentor and thwart a chilling global conspiracy.

The cast includes Ashley Zukerman (“Succession”), Valorie Curry (“Blair Witch”), Sumalee Montano (“10 Cloverfield Lane”), Rick Gonzalez (“Arrow”), Eddie Izzard (“Ocean’s Thirteen”) and Beau Knapp (“Seven Seconds”).

The Langdon pilot was actually shot principally in Toronto, Canada last year, but production was halted for some time because of the COVID pandemic shutdowns. The U.S. Capitol rotunda was recreated on a soundstage there, and I'm told there was Masonic input on the project.

Still no announcement of an air date.

Eddie Izzard Cast As Illus. Peter Solomon 33° in Upcoming 'Langdon' TV Series

by Christopher Hodapp

More casting news is trickling in about NBC's upcoming TV series Langdon, based on Dan Brown's Masonic-themed novel, The Lost Symbol. The Deadline website is reporting that actor/comedian Eddie Izzard (Six Minutes To Midnight) and Valorie Curry (The Tick) and are set to star opposite Ashley Zukerman's Robert Langdon.

Eddie Izzard has been cast as Peter Solomon, Director of the Smithsonian, billionaire philanthropist, and Robert Langdon's mentor at Harvard. Peter Solomon's character in the novel is also a 33rd degree Scottish Rite Mason and Masonic scholar. Frankly, this is a stroke of casting genius, as Peter Solomon (in the book, anyway) has a fine sense of humor, a thorough understanding of history, philosophy and theology, and it is through him that the best explanations and messages about Freemasonry ultimately unspool.

Eddie Izzard as 'Bertie,' Prince Albert Edward, son of Queen Victoria
in 'Victoria and Abdul'

If you only know the 58-year-old Izzard from his standup comedy material about being a transvestite and an atheist, you might be alarmed by this development. Frankly, his casting may give some Masons a case of the vapours. But if you've seen his dramatic performances (why do all comics want to be serious actors?), you know he's ideal for the part. He once said in an interview,

“I have noticed a reluctance in earlier years to know exactly where to start with research. Maybe it’s a laziness or lack of confidence about which way to go into it... The obvious thing that came into my head, or that I realized, was the better you researched it – the better you are into the character before you land on the set, the easier it’s going to be. You’re just going to be fully formed, I mean, obviously Daniel Day-Lewis does this to a huge extent, and that’s what I want to do, that’s the direction I want to head to, so that when I’m there, getting to the set, I know where I am, rather than a week into it, getting the hang of it."

The other announcement was that actress Valorie Curry will play Katherine Solomon, Peter Solomon's sister and the scientist conducting experiments on Noetics. You might know Curry as 'Dot Everest' in The Tick or Kelsey in Showtime's House of Lies.

The Deadline website is also reporting that NBC has firmly committed to actually start shooting the Langdon series later this year (the COVID pandemic shutdowns placed many shows slated for Fall in question).

Brown's The Lost Symbol novel — the sequel to The Da Vinci Code — was a 500+ page love letter to our fraternity, so I look forward to seeing how Hollywood treats us. I'm not dumb enough to think the fraternity will get an entirely fair treatment. In the most commonly used Masonic ritual in the U.S., we teach the lesson of Jacob's Ladder, and stress that Faith, Hope and Charity are its three principal rungs. 'Faith is lost in sight' - I have little faith that Hollywood can tell a Masonic story without screwing it up, based on having seen countless earlier examples. 'Hope ends in fruition' - so this project will hopefully not stink. But 'the greatest of these is Charity,' so I shall remain charitable until proved otherwise. 

For previous news about the Langdon series:

• New NBC TV Series Will Feature Dan Brown's 'The Lost Symbol' At Last
• New Robert Langdon For NBC's 'Lost Symbol'-based TV Series
• Masons and the Media: 'Langdon' and 'National Treasure' Updates

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Masons and the Media: 'Langdon' and 'National Treasure' Updates

by Christopher Hodapp

It's almost like the heady days of 2004 all over again, with both Dan Brown's Da Vinci Code sequel The Lost Symbol AND National Treasure back in the media news. 

As reported over the last several months, NBC is adapting Dan Brown's novel The Lost Symbol as a TV series for the fall season (although heaven only knows how the COVID shutdown will affect production schedules). The six-year delay in the original book release helped to set off a flurry of Masonic-related books and TV documentaries in the mid-to late 2000s, and the novel turned out to be a 500+ page love letter to the fraternity. Masons everywhere hoped it would be made into a full-length, big-budget Tom Hanks feature after The Da Vinci Code and Angels & Demons, but were disappointed when Sony Pictures skipped it over to film Inferno instead. 

Now The Lost Symbol is being resurrected as a TV series instead, re-framing the story around a younger, freshly-graduated Harvard symbologist Robert Langdon and set as a prequel to the first three films. 

The new series is entitled Langdon, and American-born Australian actor Ashley Zukerman (who recently played Nate Sofrelli on HBO's Succession) takes on the title role.

Producer Ron Howard's Imagine Television and NBC have brought in Dan Dworkin and Jay Beattie to write the script for the pilot film. The two writing partners created ABC's The Crossing, and most recently served as consulting producers on Star Trek: Discovery and American Horror Story. Past credits also include the Scream TV series, Revenge, Scorpion, Criminal Minds and Netflix's new teen adventure drama Outer Banks.

The Primetimer.com website somehow obtained a copy of the Dworkin/Beattie synopsis of the pilot episode for Langdon and posted it on their website yesterday. It reads, in part:

We open on shots of bazaars, mosques and ancient ruins. We're in Turkey, where we ultimately settle on the Patnos prison, an aged facilty surrounded by the high moutains of what used to be Armenia. In the yard, we focus on a chain with a guard pulling at one end, and an American inmate on the other. Meet ZACHARY SOLOMON (25), skinny, dirty and scared. A second guard approaches with a thin wooden cane. He smashes it hard on Zachary's feet. Other inmates are watching the spectacle, apparently learning a lesson. Zachary has tried to escape. As the camera pans over the cell windows, we push in through the bars of one, where an inmate seems to be in some sort of trance, not bothered by the sounds of despair outside. As the camera rises, it's revealed that he's seated upon a symbol drawn in ash on the floor. It's a TRISKELION. Then we hear ROBERT LANGDON (33) in voice over.

He's in Harvard, teaching. He's a bit cocky, but his students seem to love him. His class is about symbolism, as all sorts of symbols of the past and present appear on a screen behind him. He explains how what was relevant then is revelant now, and how people on the internet sometimes use these symbols to push an agenda, creating fake news and conspiracy theories. He says we have a responsibilty to distinguish fact from fiction. Later that day, Langdon is in a bar with a fellow professor, STAN. His phone vibrates with a text from PETER SOLOMON (50) who asks him to call him back ASAP. Peter is the director of the Smithsonian, and Langdon's mentor. Outside, he makes the call, and it's Peter's assistant who answers. He says Peter needs Langdon's help in D.C. right now.

The next day, as he settles into Peter's private jet, Langdon calls KATHERINE SOLOMON, Peter's sister. She's in Cambodia, in a Buddhist Temple. She's surprised by the call and doesn"t know anything about what's happening with her brother. What Langdon really wants to know is if she's available for dinner. There's history here. But she can't, she's buried in an important project. Once in Washington D.C., Langdon has a sweet memory that's shared with us in flashback. It's three years earlier and he's at Princeton, defending his thesis to a room full of faculty heads, including Peter. As Langdon arrives at the Capitol Building, he quickly realizes the hall where a gala is supposed to be happening is empty. That's where he was supposed to meet Peter. A JANITOR confirms no such event was scheduled that day. Langdon reaches to his phone to call Peter and it's his assistant's voice again on the other end of the line. But his tone is different now. Turns out it's not his assistant, it's someone who calls himself MAL'AKH. He tells him Peter is not here, he's in Araf, which means Purgatory.

Not far from Langdon, a family of visitors are wandering. One child seems to be bored... until he stumbles upon a HAND. His mom's face fills with terror as she sees it too. Meanwhile, Mal'akh tells Langdon he has to find an ancient portal in the city and unlock it. Only then Peter will returned from the in-between realm. Click. The line goes dead. Langdon wonders if it's a joke. He takes notice of a chaotic crowd that has gathered around what is now fully revealed to us as a severed hand propped up on a wooden base, with three fingers curled down and index finger pointing up. There are tattoos on the fingertips, and a ring on the middle-finger. Langdon knows exactly what it means...

If you read the novel, you can already see it's sticking fairly close to the source, but you can expect more deviations as it progresses. The book had some major problematic visual plot points that won't transfer well to film, but it seems that the core of the story will be the same. If so, chances are pretty good that the Masons will still come off well. Let's hope so. NBC and producers need to bear in mind that the guaranteed worldwide Masonic audience (and swath of potential cheerleaders) for Langdon runs into the millions. The Scottish Rite NMJ's recent in-depth surveys show that most of the population in the U.S. has a very positive image of the Masons. It would be foolish to disappoint us or treat us badly onscreen in order to satisfy the juvenile conspiracy theory/world takeover/Masons are Satanic/alien abduction crowd. Dan Brown didn't go that way, so let's hope NBC doesn't, either.

No word yet as to whether producers have contacted the Scottish Rite SJ's House of the Temple to ask where to park the grip trucks, catering vans and honey wagons. While everyone waits, I'll shamelessly hurl out a reminder that I wrote an entire Masonic guidebook to The Lost Symbol back in 2009 when the novel was released. Check out Deciphering the Lost Symbol.

*   *   *  

Meanwhile, as reported here last November, Jerry Bruckheimer's production company is hard at work on new National Treasure projects for the Mouse House. That's plural now.
 
The first two National Treasure movies, premiering in 2004 and 2007, starred Nicolas Cage as historian and treasure hunter Benjamin Franklin Gates and made a surprisingly tidy fortune for Disney. According to another piece on the Primetimer.com website, not only is a third NT film now in the works, but so is a separate Disney+ streaming TV series with a different cast. 

"We’re certainly working on one (National Treasure) for streaming and we’re working on one for the big screen," says Bruckheimer. "Hopefully, they’ll both come together and we’ll bring you another National Treasure, but they’re both very active….The one for Disney+ is a much younger cast. It’s the same concept but a young cast. The one for theatrical would be the same cast.”

Take all that for what it's worth, which sounds more like ballyhoo and hot air than definite deals. No casts, no dates, no scripts. Not yet, anyway. But if either or both do come off, the  first NT film was noteworthy for its day by being among the first to treat the Masons as the good guys instead of bald-headed, cat-stroking super-villains. It would be nice if they picked up that thread again.

In any case, it sounds like Hollywood is interested in Freemasons again, for a little while anyway. Heck - the History Channel has even been re-running Book of Secrets from 2012 with Alice and me yakking about the Freemasons for the past month. 

We live forever youthful in reruns.

All of this new bit of Masonic-related showbiz development doesn't happen in a vacuum. These stories started popping up last summer in the wake of success of AMC's Lodge 49 and the Hulu airing of the Sky TV series Inside the Freemasons. One thing Hollywood is filled with are band wagoneers who are terrified to go first with a new idea, but fall all over themselves in a rush to capitalize on territory someone else staked out ahead of them. The announcement of the Langdon project in late 2018 directly led to a sudden interest in another National Treasure project. That makes the irony of the connection between these two projects come full circle just as it did in 2004, and once again set up another competition to see who gets their 'Masonic' project onscreen first.

Meanwhile, if Knights Templars are your thing, History's planned third season of Knightfall  has just been axed as of yesterday. The last episode of season two aired nearly a year ago, and the viewership of 625,000 was down almost 50% from the first season, even with Mark Hamill on board. Knightfall was History‘s lowest-rated series, so you York Rite guys just weren't loyal enough I guess. 

Shoulda made them all Masons and put them in Rosslyn Chapel...

New Robert Langdon For NBC's 'Lost Symbol'-based TV Series

Media websites are reporting that Australian-American actor Ashley Zukerman has been cast as author Dan Brown's globe-hopping symbologist Robert Langdon in NBC's upcoming series, Langdon. The series will be based on Brown's The Da Vinci Code sequel, 2009's The Lost Symbol, which revolves around the Freemasons and Masonic sites across Washington, D.C.

Ashley Zukerman

It's never been very often that the Masons have been uniformly portrayed as the virtuous good guys and central characters to high-visibility film or TV projects, so this is good news.

Zukerman's Robert Langdon will be a younger version of
Tom Hank's character in the motion picture chronology

The NBC series is being treated as a sort of prequel to The Da Vinci Code, Angels & Demons, and Inferno, the previous big-budget movies made with Tom Hanks in the part. Zukerman's Robert Langdon will be younger than Hanks', and the plot line of the book will be slightly shifted so that the character of Peter Solomon will more clearly be Langdon's more recent mentor from his early Harvard days. 

Ashley Zukerman most recently appeared in the HBO series Succession, but he's not exactly a household name like Hanks. That's probably a good thing for such a high-visibility role like Robert Langdon.

Scottish Rite SJ's House of the Temple in Washington

It's unknown at this point whether the series will actually be shot in Washington (a frustratingly complex city to film in logistically), or even if the actual Masonic sites mentioned in the book will be used for the production. The Scottish Rite SJ's distinctive headquarters, the House of the Temple, plays an important part in the original novel, but no one knows whether it will be retained in the series, changed to a different (and possibly fictional) location, or re-created in whole or in part via cgi effects (which would have been required anyway due to plot action). 

It'll be hard to improve on the HOT's real-life Temple room, but I'm sure Hollywood will want to up the ante on spookiness. Still way too early to tell.

Nevertheless, be aware that The Lost Symbol source material for Langdon features Freemasons, Masonic symbolism and philosophy all the way through, including a quite philosophical ending. Let's hope at least some of that survives in this upcoming TV treatment. And it would be nice for everyone involved—including us— if this turns out to be a hit.

The approved script for the Langdon show has been written by The Crossing creators Dan Dworkin and Jay Beattie, and rumor has it that Dan Brown recommended them for the project. They've been named as the show's executive producers - they also co-created/executive produced Matador, and served as consulting producers on Star Trek: Discovery and American Horror Story. 

No word yet on who plays kindly old Masonic sage Peter Solomon - hopefully a cross between Art de Hoyos and Brent Morris. Maybe with a curmudgeonly touch of Rex Hutchens thrown in. 

I'll be happy to forward my headshot to producers. 

Just sayin'.

     

(While you wait, I'd like to recommend my books Solomon's Builders and Deciphering The Lost Symbol so you can bone up on the REAL Masonic background and history of Washington D.C.)

Screen Versions of 'Lost Symbol' and 'National Treasure 3' Advancing

Two high-profile, big money media projects of interest to Freemasons are inching closer to reality - and knowing Hollywood, they are spurring each other on in a race to see who gets in front of audience eyeballs first.

First up, NBC has now officially authorized and ordered a pilot film of Langdon, a new TV series initially based on Dan Brown's Masonic-themed 2009 mystery adventure novel The Lost Symbol. I reported this last June, but this announcement by NBC and Imagine Entertainment means this project is no longer just a rumor and is slated for the 2020 production season. So it's real as of now.

The potential TV series is being re-drafted as a prequel to Brown's earlier novels, Angels & Demons and The Da Vinci Code, and will deal with the younger years of Harvard "symbologist" and globe-hopping mystery solver Robert Langdon. The novel revolved around the kidnapping of Langdon's early mentor, Peter Solomon, and is something of a Masonic landmark tour of Washington D.C., culminating in the Scottish Rite's House of the Temple.  

Due to several troublesome plot points in the story (pesky stuff like a major portion of the action taking place in total darkness), Sony Pictures and Imagine Entertainment skipped making The Lost Symbol into a big-budget feature film a decade ago, which disappointed Masons everywhere. At least five writers previously attempted to wrestle The Lost Symbol into a feature script over a six year period after it came out - including Brown himself - before Sony and Imagine gave up and instead made his NEXT novel, Inferno, into the third Langdon movie with Tom Hanks. 

No cast has been announced yet. For this new TV series, Hanks won't appear (with his bad haircut), and a new actor will play this younger version of the Robert Langdon brainbox character. 

According to the Deadline website, the approved script for the proposed Langdon pilot has been written by The Crossing creators Dan Dworkin and Jay Beattie, and rumor has it that Dan Brown recommended them for the project. They've been named as the show's executive producers - they also co-created/executive produced Matador, and served as consulting producers on Star Trek: Discovery and American Horror Story. 

(While you wait, I'd like to recommend my books Solomon's Builders and Deciphering The Lost Symbol so you can bone up on the REAL Masonic background and history of Washington D.C.)

Meanwhile, over at the House of Mouse more rumors keep being circulated about Disney developing National Treasure 3 as either a big-budget movie release, or as a streaming Disney+ offering. This was first being touted back in November, but now screenwriter Chris Bremmer, who wrote the script for the current Will Smith/Martin Lawrence picture Bad Boys For Life, has confirmed to the Hollywood Reporter that he's been tapped by producer Jerry Bruckheimer to pen a National Treasure 3 script. That's all anyone is saying publicly, and nobody knows if stars Nicolas Cage, Justin Bartha, Diane Kruger, Jon Voight, Harvey Keitel, and Helen Mirren will be back, or if this will center on a new set of characters. It's been a dozen years since the second very successful NT movie came out, and that cast isn't getting any younger (although with the creepy new de-aging SFX software, anything is now possible). 

Bremmer's script for the new Bad Boys sequel is being credited with successfully resurrecting that 25 year-old franchise with its aging stars for Bruckheimer, so we may find out what Benjamin Gates saw on page 47 of the President's Book of Secrets after all. With luck, there will be some Masons lurking in the edges of the story again.

The original National Treasure with its Masonic Founding Fathers and buried Templar treasure was deviously designed in 2004 by Jerry Bruckheimer and Disney to capitalize on Dan Brown mania while the world awaited his promised sequel to The Da Vinci Code, which turned out to be The Lost Symbol. Bear in mind that Hollywood is a fickle place and, to quote Bart Simpson (or maybe George Burns), show business is a horrible bitch goddess. One or both of these projects could disappear or actually make it to the light of a flickering screen. I'm guessing some executive saw viewership figures on both Lodge 49 and the Sky TV five part series about the United Grand Lodge of England that Hulu aired last Fall and decided, "These Freemason guys are hot again. Call somebody. Get somebody. And get me somebody while I'm waiting." So maybe this is a race between these two projects, and maybe it isn't. But with any luck, we Masons may soon be back on the public radar screens for a little while again.