"To preserve the reputation of the Fraternity unsullied must be your constant care."

BE A FREEMASON

Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

Saturday, June 21, 2025

UnXplained Episode: Secret Societies


by Christopher Hodapp

The History network finally got around this week to airing an episode of The UnXplained with William Shatner that I shot a segment for a year ago. Season 7/Episode 9: Secret Societies

Thanks again to the kind folks at Prometheus Productions who have kept calling me back for 15 years now, for some inexplicable reason.

The portion on the Freemasons featured bits of me and Arturo De Hoyos that were shot in Washington D.C.'s beautiful Scottish Rite Cathedral (which is not the same thing as the Scottish Rite Southern Jurisdiction's House of the Temple, which sits a few blocks south on 16th Street). Built in 1939, it ha a unique style all its own. If you've never been there, it's well worth a visit.








By the way, for some odd reason, production companies keep crediting Art as the 'Grand Historian' of the Scottish Rite, when he is, in fact, the Grand Archivist.


His other titles are, of course, a big secret...

I will say that this is the third program I've been in hosted by William Shatner, but if you think I've actually been permitted to meet him, or even be in the same room with him, forget it. This was the only way I could say I've made pictures with Shatner.



Monday, July 01, 2024

"It's A Big Secret. Everybody Knows About It."




by Christopher Hodapp


Brother Mike Comfort posted a link on Facebook last week to a 2017 Super Bowl ad I'd completely forgotten about, pimping for - of all things - Mexican-grown avocados. Us sooper-secret 96nd degree Supreme Sovereign Grand Master Templar High Priest Freemasons control those, too. 

That's right.  Without you even knowing, we lurk everywhere.

Even in your party dip.



Wednesday, May 08, 2024

Antiques Road Show Features Navajo Masonic Carpet


by Christopher Hodapp

The long-running Antiques Road Show on PBS visited Akron, Ohio for this week's program, and a local Mason showed up with a unique 1930s Navajo rug woven with Masonic symbols. 

As he explains, his grandfather was Freemason in the 30's, as well as a construction worker. While previously visiting a lodge near Gallup, New Mexico, he spotted one of these hand-woven rugs filled with Masonic symbolism, and the local brethren told him the nearby tribe had made it. Subsequently, he installed flooring for several buildings on the nearby reservation in return for them making this rug. Over time, it was passed to his lodge, then came back to the family.

Monday, July 17, 2023

'Knightfall' Ending on Netflix in August




by Christopher Hodapp

If you were a fan of the 2018-19 A&E TV series Knightfall, or discovered it on Netflix more recently, be aware that the streaming network is dropping the show on August 14th. Netflix's licensing deal was for a limited time, so if you had intended to go binge watching the show, do it now.


The HIGHLY fictionalized series about a group of French Knights Templar in medieval Paris and their clash with King Phillip starred Tom Cullen, Jim Carter and Mark Hamill, and only ran for two seasons. As history goes, it was lousy. But it was decent bit of storytelling about the Templars, who have rarely been portrayed in onscreen dramas.

There's no serious scholarship that supports the theory that Freemasonry descended out of the Knights Templar who fled France just ahead of King Phillip's mass arrests of the Order's leaders in 1307, even though John Robinson's classic work of speculation, Born In Blood: The Lost Secrets of Freemasonry, has inspired countless men to join the Masons over the last 30+ years. And the modern day Masonic Knights Templar make no claims to have been directly descended from the medieval order of warrior monks. 

Nevertheless, many Masons have long accepted the famous oration of Chevalier Andrew Michael Ramsay's in which he introduced the notion that Freemasonry was brought to Europe from the Holy Land by the crusading warrior monks of the 12th–14th centuries. Even though he didn't mention the Templar's by name, audiences eventually took him to mean that specific group of crusading warriors, and French-derived "higher orders" (hautes grades) of Masonic degrees soon developed around the Templar story. A chivalric, "knightly" origin of Masonry appealed to the French Masons far more than the English and Scottish explanation of evolving from a group of scruffy old rock-carving stonemasons. Consequently, the Templar story appears today in the degrees of the U.S. York Rite, the Ancient Accepted Scottish Rite, the Royal Order of Scotland, the Knights Beneficent of the Holy City, and others. 



"Are we knights?"
"Do you want to be?"

If you're a fan of the film National Treasure, the Templar connection to the Freemasons appears right up front in the opening five minutes of the picture, as kindly old Grandpa Gates answers his grandson's question, "Are we knights?" Which, of course, folds in the theory about the infamous Oak Island Money Pit (eight seasons of A&E shows about it and STILL no treasure) as being the spot where fleeing Templars dumped the "greatest treasure the world has ever known," where it sat undisturbed until George Washington and the American Masons, led by their French Masonic allies from the Lodge of the Nine Muses, dug it up, paid the bills of the Revolution, and then reburied it under Trinity Church on Wall Street in New York.

But that's another story...

Saturday, August 20, 2022

Pennsylvania Grand Master Reacts to Fox Nation's Freemason Program


by Christopher Hodapp

The Right Worshipful Grand Master of Pennsylvania, Jeffrey M. Wonderling, has posted a message on Facebook following the airing of the Fox Nation streaming network's program, Freemasons: A Society of Secrets with Tom Shillue. The show premiered this week, featuring interviews with Grand Master Wonderling, Pennsylvania Mason Salmon Sheikh, and Scottish Rite SJ's Grand Archivist, Arturo De Hoyos.

(NOTE: Many Masons have been commenting online without actually having seen the whole program, and several have seen only a 2- or 5-minute promo for it that's laden with all the conspiratorial comments they could manage to squeeze in. The complete 25-minute show can ONLY be seen with a subscription to FoxNation.)

It's enormously frustrating to sit and talk on camera for an hour or more with an interviewer, only to have a total of two or three minutes appear in the show – if that. From the tenor of his note below, it would appear that this was the GM's first experience with a media interview, and he was less than enthused with the result:

Foxnation is airing a piece on Freemasonry. I was interviewed at the Masonic Temple in Philadelphia in June and the 25 minute piece was released yesterday. I understand it was on Fox News nationally this morning. The piece Tom Sillhue and their crew put together is the same old, same old, talking about the “conspiracy theories”, “new world order” and “cultism”. My friends, if were (sic) any of the above were true and we were in control, the World would mirror our integrity and values, and be a much better place. Tom didn’t mention that we kneel before GOD and stand for the flag. He didn’t mention that you must be able to be trusted with our wives, sisters, daughters, mothers, and wallets to gain admission into our organization. He didn’t mention the 2 million dollars PER DAY we contribute various charities in the USA that in no way benefits our organization. He didn’t mention that you must have a servant’s heart to gain admission.

Can you guess why?

BECAUSE THE TRUTH DOESN’T SELL SOAP.

It may also be important to note that a member of the production crew who saw the 90% of the interview you didn’t see asked for direction on petitioning a Long Island NY Lodge.

Respectfully submitted,
Jeff

After having been in more than a few of these types of programs over the last two decades or so, I sympathize with the Grand Master. 

Permit me an illustrative anecdote. The very first History Channel show I was in was about the so-called 'secrets of the founding fathers.' At one point, the offscreen interviewer asked me an offhanded question about the history of England's infamous Hellfire Club in the 1700s, a topic I was totally unprepared to discuss at the time. He wanted to know if I knew anything about Ben Franklin being a member, but I really didn't. And I told him so.

"Wow, the Hellfire Club. I actually don't know that much detail about them, apart from the basics. You know, Sir Francis Dashwood and his buddies, dressing up like monks, getting blasted on weekends, and running a creepy sex club down in some cave under his mansion..." 

And that was the end of it.

When the show aired six months later, the Hellfire Club part of the show began with creepy lettering, creepy photos, creepy music, and a creepy announcer giving creepy narration. Suddenly out of nowhere, they cut to a shot of me saying just three words: 

"Creepy sex club."

Not even a full sentence. A sentence fragment. I wasn't entirely surprised, because I'd been a film editor for much of my adult life. I even try very hard with these interviews to talk in short, complete sentences instead of the usual pause-filled, comma-laden, run-on sentences that end in a different zip code which normally characterize my conversations. (Rambling answers are deadly in video and audio interviews.) But even that didn't protect me from the editor.

Creepy sex club? Three words? Seriously?

Unfortunately, the reaction of lots of Masons online today immediately took on the usual reflexive partisan venom that characterizes so much of anti-social media conversations these days on Twitbook, Facegram and Instatwit: "Whaddya expect from Fox News? Only an idiot would talk to those clowns! They're in cahoots with the far-right conspiracy mongers!" Etcetera, etcetera, et.al. They hate the messenger, so there's no reason to actually watch it, because it must be trash.

Balderdash. 

Rest assured: History, AHC, Discovery, PBS, NPR, CNN, MSNBC – every one of them has done the very same thing. And the print world is no better. The NY Times and the Wall Street Journal have reduced hour-long interviews with me to a single sentence in superficial Masonic stories (and I promise, we're not special). By the way, just to answer a point that several brethren have tried to bring up, no news organization is ever likely to let you see the final edit of a program before it airs, and NO ONE is going to let you have final approval of their edit.

Admittedly, one possible lapse in judgement was in not being familiar with the interviewer's past work – Tom Shillue thinks he's a laugh riot, so all of his interviews have an air of sarcasm to them, not serious curiosity or even a desire to inform. It's kind of like watching a bad Catskills comic giggle while telling his own jokes because he knows the punch lines and just can't contain himself.

But in fairness to the program itself, Art DeHoyos actually did get the $2 million a day figure into the show, and the Grand Master is being much too hard on himself. Overall, the show did no harm, the three brethren onscreen were perfectly fine spokesmen for the fraternity. The GM's remark that "Masons stand for the flag and kneel before God" was an incredibly succinct way to diffuse allegations that we are somehow secret traitors and Satan worshipers. Brother Sheikh talking about being a Muslim Mason was ultimately an effective shorthand for explaining our religious diversity in a positive way. Art proved that a Catholic rosary wouldn't burst into flames if a Mason held it in his hand. And Tom Shillue clearly demonstrated why he can't get a better gig than an occasional, obscure Fox Nation assignment that few will actually watch.

There are lots of Masons who criticize brethren who appear in TV and print interviews, saying the world was a better place back in the days when Masons shut the hell up in public and kept the whole fraternity mysterious. But the reason why Masons like Art, Brent Morris, Akram Elias, myself and others agree to be on these programs is because if we don't, the producers will find someone else who may not be as enthusiastic or truthful about the fraternity. The world has enough disgruntled, and downright angry, former Masons with a bone to pick against their former brethren, or who nurse a desire to present us in the worst possible light. Notorious conspiracy peddler Alex Jones has spent two decades making up absurdities about Freemasonry, and he got plenty of air time for a long while dishing nonsense until producers finally figured out his lucrative motives. (You might have seen him several years back manage to get cast members of Brad Meltzer's Decoded arrested on camera after sneaking them onto the property of the Bohemian Grove, then fleeing before cops could collar him.)

Dr. David Staples served as the CEO, Grand Secretary, and chief spokesman for the United Grand Lodge of England for several years, and he was quite forceful about demanding fair and honest coverage of the fraternity by the media, answering every critical story immediately, and doing his level best to take back control of the narrative. You might recall his '#Enough Is Enough' campaign in the light of a wave of anti-Masonic stories in the press.

The truth today is that we are now almost three generations away from when a typical man's father or grandfather was a Freemason. The combination of time, smaller and smaller families, fatherless households, the generational loss of respect for longstanding institutions, the plunging rates of believers in organized religious traditions, unstable adult careers, and the growing isolation of men working in an online environment with little or no personal contact – all of this and more has broken the traditional ways Freemasonry was historically passed from one generation to the next. We're not special — all voluntary associative organizations have taken a painful spear to the gut in a straight-line decline now for 60+ years. So when the media gives us a chance to beat on the coffin lid and let the world know who and what we are, we have got to seize that opportunity when we can, and communicate our story within the confines of their storytelling. Or make our own.

So, kudos to the Brethren who appeared in the Fox Nation program for answering the call and presenting us in a positive light on camera. If it piques the interest of even a single man in every state enough to knock on the door of a lodge, it was a resounding success.

Monday, August 15, 2022

Fox Nation Network Premieres 'Freemasons - A Society of Secrets'


by Christopher Hodapp

The Fox Nation streaming service today premiered a new 30-minute program, Freemasons: A Society of Secrets, featuring Fox personality (and barbershop quartet singer) Tom Shillue.

The show features interviews with Pennsylvania Brother Salmon Sheikh and Grand Master Jeff Wonderling at the Philadelphia Masonic Temple, and Grand Archivist Arturo DeHoyos at the Scottish Rite SJ's House of the Temple. 

(Curiously, either the time period was too short or the editors didn't think it was important to point out just what the Scottish Rite is and how it's different from the local lodge brand of Masonry, so the audience is left baffled about Masonry and Supreme Commanders and the House of the Temple's sanctum of its Temple Room.)


It's mostly benign, superficial ('C'mon, show me the handshake!'), and apart from a brief attempt to gin up a little controversy over Brother Sheikh's short period of resignation over anti-Muslim insults in his first lodge, the show ultimately does no harm. 

Not really worth signing up for a month of Fox Nation just to see this one, but it's at least good natured. Or to borrow the expression from the Encyclopaedia Galactica, "mostly harmless."

Sunday, May 01, 2022

Hollywood's Newest Illumi-nuttiness


by Christopher Hodapp

This year Hollywood is going goofy for Illuminati references in two new projects, and just in time for the 246th anniversary of Adam Weishaupt's very real founding of the group on May 1st, 1776 today. 

In classic murder mystery stories of the 1920s and 30s, the final, last-chapter solution was generally "the butler did it." Similarly, in classic conspiracy theories of the last two and a half centuries, "the Illuminati did it" is in there somewhere, if you just dig hard enough. And half the time, there's some allusion to the Illuminati being Masons.

Perhaps the Illuminati is actually made up of scheming, murderous butlers. Maybe murderous Masonic butlers.

A couple of new big-money movie projects are dropping this week that seem to be a major shift away from the classical Illuminati-based conspiracism of the past. The new trailer for Marvel's Doctor Strange 2: In the Multiverse of Madness (good name for this particular topic) dropped this week, with the tag line, "In 10 days… nothing will prepare you for the truth." The "truth" apparently, is that whatever it is that the entire Marvel multiverse is fighting, The Illuminati™is probably at the root of it. Or something. 

Meanwhile, at the other end of the spectrum, Netflix is debuting a new comedy series with Michael Meyers. The Pentaverate will premiere on Thursday, May 5, posing the poser, “What if a secret society of five men — aka The Pentaverate — has been working to influence world events for the greater good since the Black Plague of 1347?” Or, the Illuminati by another name.
Conspiracists all the way from John Robison and the Abbé Barruel, up to the John Birch Society, Lyndon LaRouche followers, right up through today's QAnon nutters have clasped the Illuminati to their collective, paranoid bosoms and inflated their very real existence between 1776 and about 1785 into a never-ending, "everything is connected" collection of OCD-afflicted New World Order architects, quislings and henchmen. But Hollywood hasn't really done much over the years in the way of using the Illuminati as all-purpose gray eminences. Even the film version of Dan Brown's Angels & Demons only played around with Illuminati references like the novel did, weaseling out in the end by making them nothing but a madman's hoax.

Whenever Hollywood wanted to bring in global bad guy clubs, they'd usually give them imaginary acronyms like SMERSH, SPECTRE, THRUSH, CHAOS, WASP, COBRA to name a few. But these days, Hollywood seems to be rehabilitating the old image of mysterious global puppet masters into a kinder, gentler bunch of altruistic fellows who are only doing secret world-saving deeds for our own good. 


For instance, when the Peacock series of Brown's Masonic-filled The Lost Symbol made it to the screen as a miniseries, the writers of the show decided that us 33° Scottish Rite Masons couldn't possibly be important or spooky enough, so they invented a clutch of the sooperest, secretest level of big-degree, big-deal Freemasons, known as the Leviathan Group. And because they're SO very secret, they all wear special rings with a Leviathan cross to secretly identify themselves when they bump into each other in the Kroger checkout lane. The story goes that the Leviathans are entrusted with the safekeeping of The Ancient Mysteries™. But they also exist to help all of Mankind when needed by stepping in here and there at critical moments, guiding human events just at the right time and place, to protect civilization. 

I think the first time I encountered this story line was Gene Roddenberry's failed pilot for The Questor Tapes in the 1970s, about a race of self-replicating alien androids who build their own successor when they reach the end of their life cycle, and step in at critical moments to protect mankind from his own self-destruction. Sort of a virtuous robot Illuminati. 


I just ruined the end for you.


But a variation of the notion is much, much older. Hidden 'Secret Masters' who hide hidden secret secrets for the good of Mankind are a pretty common thread. They usually want to hide those secrets from all but TRUE Masters because you can't just let every schmo from Kokomo in on attaining true enlightenment.

Anyhow, to the subject at hand. 

Doctor Strange in the Multiverse of Madness gets released on May 6th, and is directed by Sam Raimi. The picture stars stars Benedict Cumberbatch, Elizabeth Olsen, Benedict Wong, Rachel McAdams, Chiwetel Ejiofor, and Xochitl Gomez.


Note the tantalizing line: "The Illuminati... will see you now." Hopefully, the Illuminati characters won't be sporting "secret" square and compass rings.

According to Matt McGloin on the Comic Book News site yesterday, 
In the [Marvel] comics, the Illuminati were retconned to basically be responsible for trying to protect humanity and control things which saw various Marvel superheroes a part of the group in control of the Infinity Gems; however, their real-life counterparts, if you believe that sort of stuff, are hardly heroes as the Illuminati are said to be made up of racist Luciferians, pedophiles, high-level Freemasons, Jesuits, the Vatican, politicians, celebrities, sports figures, etc. who are bent on creating a new world order.
In other words, Marvel's GOOD Illuminati made up of heroes from Avengers, Wakanda, Atlantis, and occasional mutants who control the Infinity Gems and do what's best for the world. That was in the comics. As for how the "Illuminati" gets used in the movie version, we'll have to wait for the movie's release to find out just what the truth is that nothing will prepare us for. 

Then there's Mike Meyers' variation on the theme - The Pentaverate.




I'm given to understand that many scenes of the movie were, in fact, shot in and around London's magnificent Freemasons' Hall, home of the United Grand Lodge of England

As you can see in the trailer below, variations of the square and compass and the All Seeing Eye run rampant in the footage.



What seems curious about both of these projects is that, unlike most story lines that use the Illuminati as a stand in for eeevil New World Order/United Nations/Trilateral Commission/Bilderberger groups, both of these projects are apparently trying to rehabilitate the image of world-controlling gray eminences by making us out to be the GOOD guys. Which, I suppose, makes sense if They really do control Hollywood after all...

PLEASE NOTE: I hate posting any story with the word 'Illuminati' in it because I get treated to 300 daily attempts of posting "Join the Illuminati!" spam comments. Please forgive any delay in approving comments - it takes a while to trudge through the sludge. But just to clarify, no you can't join the Illuminati and you're a five-alarm boob if you think giving your Mom's credit card number to an anonymous basement dwelling scammer will somehow get you ahead in life. 


But if you really are compelled to give money to total strangers, you'd be much better off dropping twenty smackers on our book, Conspiracy Theories and Secret Societies For Dummies. Here's an Amazon link. Quick! Go get Mom's VISA card.


If you have a serious interest in the actual Illuminati, its founding, its purposes, its methods and rituals, Josef Wages' and Reinhard Markner's book The Secret School of Wisdom: The Authentic Rituals and Doctrines of the Illuminati is where you need to start. Their work (and the translation skills of the late Jeva Singh-Anand) is vitally important for anyone wanting to more fully understand the organization that was founded in 1776 in Bavaria and survived for just a decade - important because it is the first time that the actual rituals of the order have all been collected together in one place (in German or English). Anyone wishing to study the Illuminati for any reason needs this volume. Indeed, the 30-page introduction alone provides a concise, footnoted and well summarized history of the foundation and structure - along with the personalities involved - of the real group that has come to represent a true "secret society" to so many people around the world for more than two centuries.

Tuesday, January 25, 2022

NBC/Peacock Announces Cancellation of Dan Brown's 'The Lost Symbol'


by Christopher Hodapp


NBC's Peacock streaming network has announced that there will only be the single season of Dan Brown's The Lost Symbol that has already aired. The 10-episode series aired between September and November 2021, and there are no plans for future episodes.

Based on Brown's 2009 blockbuster Masonic-themed novel, The Lost Symbol starred Ashley Zukerman as symbologist Robert Langdon, along with Valorie Curry (“Blair Witch”), Sumalee Montano (“10 Cloverfield Lane”), Rick Gonzalez (“Arrow”), Beau Knapp (“Seven Seconds”), and actor and comedian Eddie Izzard as Peter Solomon.

According to the announcement in Variety on Monday
, "Peacock and producers believed that the series adaptation of the book told the complete story of the source material." 
The completed series will continue to be offered to subscribers on the Peacock streaming platform.

The creative team for the series made an early decision to modify much of the Masonic content of Brown's original novel and invent a super-secret level of Freemasons within the fraternity (called 'Leviathan') in order to free the show from having to stick to known facts, symbolism and practices of Masonry. And I was told a major consideration of the producers was their legal departments' advice to not show the square and compass in order to avoid any possibility of being sued for copyright or trademark infringement by the fraternity. (I'm only reporting it.) 

Apparently the Peacock advertising department never got that memo...


The so-called "Leviathan cross" depicted in the show is actually the alchemical symbol for sulphur (also for volcanic brimstone), and series creators invented the fictional group as a special collection of powerful, select, brainy, unseen Masonic masters who protect the really secret secrets to life, the universe and everything.



The Scottish Rite Southern Jurisdiction created an eleven-part YouTube series that acts as a Masonic viewers' guide to the Lost Symbol program. Hosted by Brother Maynard Edwards, ° KCCH, the multi-part program, Symbols & Secrets, explores and explains the symbols, terminology and accuracy of The Lost Symbol. As the program explains, this is NOT a Masonic symbol. 





Tuesday, August 31, 2021

Dan Brown's 'The Lost Symbol' Streaming TV Series Premieres Sept. 16



by Christopher Hodapp

The second official trailer for the upcoming TV series, Dan Brown's The Lost Symbol has been released. Episode 1 premieres on Thursday, September 16th on NBC/Universal's Peacock streaming platform, and requires a subscription. New episodes will appear every Thursday.

The series is based on Brown's Masonic-themed 2009 thriller The Lost Symbol and stars Ashley Zukerman as Harvard symbologist Robert Langdon.


By the way, you may be balking at the notion of paying for a $4.99/month subscription to the Peacock streaming channel just to see this one lone series. I know cable TV cord cutting has been the rage for many years now. But, IF you still are among the shrinking audience who still pays for a cable TV package, AND if your cable provider is Comcast/Xfinity, they are currently offering a free year's subscription to the Peacock service.

Thursday, May 27, 2021

History Channel: America's Book of Secrets


by Christopher Hodapp

So nobody tells me these things anymore. I didn't realize this was going to be aired this week until I got a flurry of "Hey, you were on TV" messages.

The History Channel (aka History®) has updated an older series entitled America's Book of Secrets with new episodes this season. Tuesday night, Season 4/Episode 3: The Freemason Factor aired and featured interviews with myself, Brothers Arturo De Hoyos, Akram Elias, Jeff Ballou, plus 
The Craft author John Dickie and others. We actually shot my stuff last October, but the show was delayed for several months due to the COVID shutdowns that prevented the production company from getting all the scenes they needed.

Close your mouth, stupid, before you swallow a fly.

The show airs on Tuesday nights, but it can be seen online at: https://play.history.com/shows/americas-book-of-secrets/season-4/episode-3

(Easter egg bonus for Indianapolis Masons: catch fleeting glimpses of the Scottish Rite Cathedral's stained glass of the letter G, and a glass scene of Solomon and Hiram from Calvin Prather Lodge.)

Thursday, March 25, 2021

'National Treasure' Movie and TV Series Both On Track


by Christopher Hodapp


For over a year now, Disney has been floating the story that they are really and truly finally at work on a sequel to the 2004 box office blockbuster, National Treasure. In fact, the first announcement came within days of reports that Sony Pictures is developing Dan Brown's Masonic-themed novel, The Lost Symbol, into a pilot film in hopes of it becoming an ongoing TV series. 

Yesterday, Disney confirmed that super-producer Jerry Bruckheimer is not only preparing a third National Treasure movie with the original cast that follows the intrepid Gates family, but also a completely different story line starring an all-new cast as a continuing TV series for the Disney+ streaming service.

More info has been released in a story on the comicbook.com website:

Disney+ has given a 10-episode series order to a National Treasure TV series that will be exclusive to the streamer. The series will act as a reimagining of the franchise with a twenty-year-old Latina character named Jess Morales at the center of the story. Jess and her friends will set off on an adventure to uncover her mysterious family history and recover lost treasure, following in the footsteps of Nic Cage's Benjamin Franklin Gates.

 Original National Treasure producer Jerry Bruckheimer is working on the new series, along with original writers Marianne and Cormac Wibberley. Mira Nair (Queen of Katwe) will be directing the new series.

 
This TV series will bring the National Treasure franchise to a new generation, but it isn't the only project in the works from the property. There is still a third National Treasure movie in the works. Writer Chris Bremner was brought on to pen the script early last year.
 
“We’re certainly working on one [National Treasure] for streaming and we’re working on one for the big screen," Bruckheimer explained to Collider during an interview in 2020. "Hopefully, they’ll both come together and we’ll bring you another National Treasure, but they’re both very active….The one for Disney+ is a much younger cast. It’s the same concept but a young cast. The one for theatrical would be the same cast.”

The Deadline website has a few more added details about the TV series:

The project, from the films’ producer Jerry Bruckheimer and original writers Marianne and Cormac Wibberley, is a reimagining of the National Treasure franchise. Written by the Wibberleys and to be directed by Mira Nair (Vanity Fair), the series explores the timely issues of identity, community, historical authorship and patriotism, told from the point of view of Jess Morales, a twenty-year-old DREAMer who, with her diverse group of friends, sets off on the adventure of a lifetime to uncover her mysterious family history and recover lost treasure.

Reimagining? Timely issues? Identity? DREAMer? This promises to be a barren source of amusement. This synopsis reads like it was created by an automated woke computer program specifically to appeal to the wokiary and strictly adhere to the dogma of wokishmentarianism. That's usually a pretty good indicator that we can look forward to being lectured to instead of entertained.

Call me crazy, but something tells me it just won't have the magical combination of elements that made the original film the surprise hit of 2004, and its 2007 sequel even more popular. Part of the success behind the two National Treasure movies was their apolitical treatment of American history and current politics. Both films presumed that audiences pretty uniformly admired the Founders, and shared at least a common enough knowledge of American history to enjoy the movies. Cage's character of Benjamin Franklin Gates was a man in love with, and obsessed by (and, incidentally, named after) the figures of the nation's past, and the movies deliberately steered clear of attempting to take political sides, fire off deliberately polarizing pot shots, or drag contemporary issues into what was simple swashbuckling, escapist entertainment. Sadly, this proposed story line has all the crowd-pleasing potential of the all-girl remake of Ghostbusters.

Anyhow, it goes on:

Jess Morales is taking the torch from Benjamin Gates, the National Treasure films’ protagonist played by Nicolas Cage.

The Wibberleys executive produce with Jerry Bruckheimer Television. ABC Signature is the studio.

Senior-level writers are expected to join the Wibberleys, whose TV credits include LA’s Finest. They have worked with Bruckheimer on several movies, including the first two National Treasure films and G-Force.

The development of the National Treasure series has been on parallel tracks with the long gestating trequel to Jon Turtletaub‘s movie franchise starring Cage, which brought in Chris Bremner as writer in January 2020.

At least the feature film sounds more like it's following in the footsteps of the two prior movies. But Bruckheimer and crew need to get in gear – it's been sixteen and a half years since Nic Cage found the Templar treasure hidden by the Founding Freemasons, and none of the actors, Bruckheimer or director Jon Turtletaub are getting any younger.

Meanwhile, as reported earlier this month, The Lost Symbol pilot has been snapped up by NBC's streaming service, Peacock. It will be the basis for a new, ongoing TV series called Langdon, about Brown's tweedy professor protagonist, Robert Langdon, fresh out of Harvard, and hunting historical, fine art clues and solving mysteries. 

In 2004, National Treasure cashed in on the Dan Brown mania swirling around his hotly anticipated Da Vinci Code sequel, and I've long suspected that the hugely popular Nic Cage movie hijacked some of Brown's story points. The release of The Lost Symbol ultimately didn't happen until 2009. It's sort of funny that these two streaming TV projects have once again managed to be in a race with each other all over again. We at least know that Masons are central to the Langdon story line. Apart from an oblique reference to Albert Pike in National Treasure 2: Book of Secrets, only the first NT movie revolved around Masonic clues and story points. We'll have to wait and see if we make it into the threequel.

Tuesday, March 16, 2021

NBC's Streamer Peacock Orders 'Dan Brown's Langdon' As Regular Series


by Christopher Hodapp

PeacockTV, NBC's new subscription streaming TV service, has announced that they have ordered the TV pilot based on Dan Brown's Masonic-themed thriller, The Lost Symbol, to be picked up as a continuing series, to be entitled Dan Brown's Langdon.

The pilot was initially planned to air on the NBC broadcast network, but now the series will be a flagship show for the Peacock pay streaming service.

The story line of the novel has been shifted to occur before The DaVinci Code and Angels & Demons. Ashley Zuckerman portrays symbologist Robert Langdon shortly after his graduation from Harvard (and much younger than Tom Hanks' version in three previous theatrical films of Brown's novels). Langdon must solve a twisted mystery to save his university mentor, Peter Solomon (played by comedian and actor, Eddie Izzard) and prevent a mysterious nemesis from unleashing terrible destruction on Washington, D.C.

Brown's hotly anticipated novel The Lost Symbol was released in 2009, and centered around many Masonic clues and landmarks in Washington, including the Scottish Rite SJ's House of the Temple headquarters. Masons everywhere enjoyed the novel and the public spotlight it brought to the fraternity, but were disappointed when Hollywood passed over it as a big-money picture to make Inferno instead.
Peacock issued the following press release on Friday:
Peacock has ordered the gripping drama thriller “Dan Brown’s Langdon” to series, based on the world-renowned author’s international bestselling novel “The Lost Symbol.”

“Dan Brown’s Langdon” is produced by CBS Studios, Imagine Television Studios and Universal Television, a division of Universal Studio Group.

Dan Dworkin and Jay Beattie will serve as writers and executive producers for the series.

Dan Brown, Brian Grazer, Ron Howard, Samie Kim Falvey and Anna Culp also serve as executive producers.

The drama project was originally developed by NBC and was ordered to pilot last year by the network.

“The team was blown away by this pilot and its enormous potential to become a big, binge-worthy hit, and our new structure enables us to move it to Peacock and give it every opportunity to make that happen,” said Susan Rovner, Chairman, NBCUniversal Television and Streaming. “Our ability to pick up a great show is no longer limited by the confines of a network schedule, giving us the freedom to say ‘yes’ to shows we love and then find them the perfect home across our portfolio.”

“I’m absolutely thrilled to be working with Ron and Brian again on another Langdon project,” said Dan Brown. “We’ve all wanted to make ‘The Lost Symbol’ for some time now, and I’m grateful to CBS Studios, Imagine Television Studios, Universal Television and Peacock for joining forces to make this project a reality. Dan Dworkin and Jay Beattie have written a phenomenally captivating script, and the casting and performances are pitch perfect.”

Based on Dan Brown’s international bestselling thriller “The Lost Symbol,” the series follows the early adventures of famed Harvard symbologist Robert Langdon, who must solve a series of deadly puzzles to save his kidnapped mentor and thwart a chilling global conspiracy.

The cast includes Ashley Zukerman (“Succession”), Valorie Curry (“Blair Witch”), Sumalee Montano (“10 Cloverfield Lane”), Rick Gonzalez (“Arrow”), Eddie Izzard (“Ocean’s Thirteen”) and Beau Knapp (“Seven Seconds”).

The Langdon pilot was actually shot principally in Toronto, Canada last year, but production was halted for some time because of the COVID pandemic shutdowns. The U.S. Capitol rotunda was recreated on a soundstage there, and I'm told there was Masonic input on the project.

Still no announcement of an air date.